| Modern Love | |
|---|---|
| Directed by | Alex Frayne |
| Produced by | Alex Frayne, Maureen Ritchie, Catherine Powell |
| Written by | Nick Matthews (screenplay) |
| Starring | Mark Constable Victoria Hill |
| Music by | Tom Heuzenroeder (original music) |
| Cinematography | Nick Matthews |
| Editing by | Alex Frayne |
| Distributed by | Accent Film [au], B-Rudfunk, Germany |
| Release date(s) | 30 July 2006, Moscow International Film Festival, 23 Nov 2007, Australia |
| Running time | 95 min. |
| Country | Australia |
| Language | English |
| Budget | $150,000 (estimated) |
Modern Love is the debut feature film of award winning Australian director Alex Frayne. It was independently financed and filmed in South Australia, where the director lives and works. The team behind the film (Sputnik Films) includes award winning cinematographer Nick Matthews and Australian Film Institute winning sound designer Tom Heuzenroeder.
Modern Love premiered at the 28th Moscow International Film Festival[1] and progressed to dozens of other film festivals, including the Locarno Film Festival, São Paulo International Film Festival, [2] and the Fajr Film Festival in Iran. It made its Australian screen debut at the 2007 Adelaide Film Festival, where the film was reviewed by Variety Magazine's critic Richard Kuipers who called it:[3]
"unlike anything else in the entire Australian genre catalogue."
The film earned theatrical runs in Australia (Nova Cinemas), and in New Zealand at the Paramount Cinema in Wellington. Dominion Post film reviewer Graeme Tuckett wrote that it was:[4]
"the best thing playing in town. No contest."
Contents |
John, his wife Emily, and their small son Edward leave the city for what they believe will be a brief foray to the countryside to claim John’s inheritance – a small shack. They find themselves in a strange back-woods rural setting…nothing is what it seems, and John's behaviour becomes increasingly bizarre as he crosses paths with the unusual inhabitants of the area, some of whom he knows from a distant past.
As his connections to the area are gradually revealed, we are shown a puzzle and a tapestry of our hero and his life before he moved away. To his wife's horror we witness a man who belongs to a long lineage of disaster and mishap and rural weirdness. As the realisation sets in of what has happened, the spectre of the next-in-line, his son Edward, becomes spookily evident.
Modern Love received harsh reviews in Australia with some critics focusing on the ambiguity of the title as well as the disorientating plot structure the film offers. Both Alex Frayne and Nick Matthews maintain the title to be valid yet neither has fully explained its origins at any time throughout the film's exposure to audiences. Jake Wilson of The Age derided the film as being akin to an Australian "Tarkovsky" work, while dramaturg Phyllis-Jane Rose branded it the "darkest" film ever made. Frayne himself calls the film "Australian Gothic," and "like walking into a nightmare which you wish would last longer." These inclinations explain both the film's art-house success in Europe as well as its muted response in Australia. In France the film picked up the Best Foreign Film award at the ECU Festival in March 2007.
In Australia the film was released by Accent Underground.[5] In the US the film was released by Seminal Films. [6]
Modern Love grossed $549.00 at the box office in Australia,[7].